Dear Friends,
In a flooded retrofuturistic world, twelve misfit pilots set out in makeshift biplanes for a legendary island where the tallest buildings still poke through the waterline. After battling air pirates and a deadly ice storm, the lone survivor reaches the supposed location of the island, only to find endless water, a nearly empty fuel tank, and the ghostly voice of his commander still urging him onward.
Intrigued? That woeful tale is the story of this month's Hard Taco song, "The Flight for Old Brunswick."
Lauren and I have become devotees of the Tree Town Pub Sing, a monthly gathering in the side room of a local Irish pub, where participants take turns leading a cappella singalongs. I wrote "The Flight for Old Brunswick" so I'd have something new to teach the crowd at the next gathering. First, however, I needed to figure out the differences between three types of songs that I'd previously lumped together: sea shanties, folk ballads, and drinking songs.
Sea shanties: We're miserable, but we're all in this together! We have to deal with hunger, poverty, exhausting labor, bad omens, and incompetent or cruel leadership. We punctuate the song with vaguely nautical commands such as "Heave away, haul away" or "Blow, boys, roll, boys, roll and blow." No one knows what we are hauling or blowing, but it is backbreaking work.
Folk ballads: Gather around, and in just twenty-five verses, we will recount a terrible event involving one or more of the following: shipwrecks, murders, executions, doomed expeditions, or a tragic malfunction at the local mill. We introduce plenty of named characters, at least one of whom has a military title, and refer to two oddly specific port towns. We bid farewell to our one true love and promise to return. We set out confidently, ignoring repeated warnings of impending doom. Disaster strikes. None survive, including the narrator.
Drinking songs: Life is terrible. Let's have another round. We spend all our money and wake up somewhere unexpected. We make spectacularly bad decisions and defy authority. Let's have another round. We recount sexual misadventures with bawdy double entendres. We are old and have suffered the consequences of our crimes. We regret everything, so listeners should learn from our mistakes. But also, we regret nothing. Let's have another round. We mourn our dead friend, who turns out to be alive, although none of us is sober enough to notice. We raise a toast to comrades and lovers and sing "toora loora, derry down fol diddle" until somebody buys another round.
By the modified Child-Hugill Scale, "The Flight for Old Brunswick" is 70% folk ballad, 20% sea shanty, and 10% drinking song. If you want to be part of its first and only live performance, join us at Conor O'Neil's on November 9 at 7pm.
With warmest regards,
Zach

