Showing posts with label Bar Mitzvah. Show all posts
Showing posts with label Bar Mitzvah. Show all posts

Monday, June 1, 2026

The Weekly Portion

Dear Friends, 

The Hard Taco song for June is called "Our Time Together." No matter what you think of it, I'll still probably do another one next month. So stop acting like you're the one in control here. 

I attended a couple of bar and bat mitzvahs in the last few weeks. 10/10 would recommend. The less you know about Jewish services ahead of time, the better. Sit through a bar mitzvah and you will feel like a transfer student at a Martian preschool. The room is full of books, but they are backwards and inside-out, and the head Martian is the only one who can read them. He or she keeps motioning for you to stand up, sit down, bend your knees, kiss a book, or get on your tiptoes. Sometimes, the head Martian covers their own eyes for a few seconds, and then shouts "Amen," which I assume is Martian for "peekaboo." 

And then there is the endless chanting; lilting nonsense, often with a call-and-response element.  The words are gibberish, but they are repetitive. Or almost repetitive, like they are saying "One, two, three, eyes on me," and the room responds, "One, two, eyes on you."

Okay, let's leave that analogy behind for a minute. The real reason to attend a bar mitzvah is to hear what the kid has to say in English. There's a section toward the end called the D'var Torah, where the 13-year-old tries to explain how a paragraph in a 2500-year-old text relates to their life as a modern American middle-schooler. They don't get to pick which part of the Torah to deconstruct... the passage is chosen for them based on an ancient algorithm that accounts for their birthday, the lunar calendar, the birthdays of other kids who might host competing parties, and, in Ann Arbor, the college football schedule.

The luckiest bar mitzvah kid is the one assigned to a well-worn bible story, such as the exile of Adam and Eve. That D'var Torah practically writes itself.

"In my Torah portion, Bereishit, Eve and Adam eat the fruit, which was against the rules, and God kicks them out of the garden. This applies to our lives, because growing up means making choices and taking responsibility. For me, the forbidden fruit is not doing homework. Even though I hate homework, doing it keeps me from getting kicked out of school, which is a lot like Eden, except that we wear more clothes. Rabbi Blumenstock showed me that when you really think about it, homework is actually important, even though I would love to never do any of it ever." 

The first third of the Torah is full of parables and familiar names, covering topics like the creation of the world, Noah's ark, Abraham and his family, baby Moses, Egyptian plagues, the Red Sea, and wandering in the desert. These are chock full of modern lessons. 

But after the Golden Calf bit, the Torah kind of loses the plot, and starts to read more like the minutes to a homeowner's association meeting. Highlights include exhaustive instructions about priesthood and tabernacle-building, footnotes about census-taking, and detailed inheritance laws. And this is where the speeches get really interesting.

The bat mitzvah I attended this week had a Torah portion about the appropriate protocol for accusing your wife of adultery. This stuff was unsettling, to say the least. If the husband suspects his wife and has no proof or corroborating witnesses, he brings her to the priest. The priest writes a curse on a scroll, soaks it in some water, adds some dirt from the floor, and makes her drink it. If she is innocent, nothing happens. But if she is guilty? Her thigh will sag and her belly will distend. This is actually what it says... her thigh will sag and her belly will distend

So how does the eighth-grade student apply all of this to modern life? It usually comes out sounding something like this: 

"In my Torah portion, there is a husband who becomes suspicious. Even though I have never accused someone of adultery in a formal priestly setting, suspicion still exists in our modern lives. For example, this reminds me of when my younger brother Evan says he didn't destroy my Minecraft house, even though the lava is still there and he is the only other person on the server. Like the priest in Naso, I want proof. But the priest doesn't just say, "She seems guilty." There is a thing to do to figure it out. In modern life, this means you should not necessarily scream, "You stole my diamonds!" until you check if you accidentally used them to make a hoe, which I have done, and which is also a tragedy. 

So I guess the lesson is that when we feel suspicious, we shouldn't jump to conclusions. We should check the server log and maybe build the next base farther away. The Torah reminds us that it's okay to feel upset when Evan gets praised for doing one chore while I have been unloading the dishwasher for years. But becoming a Jewish adult means not letting the jealousy control me and choosing communication over curse water. And Evan, if you did what I think you did, the guilt you feel will be worse than a sagging thigh. 

Shabbat Shalom."


Friday, March 1, 2024

And Special Thanks to Douchebag Principal

Dear Friends,

After a hiatus and then a second hiatus, the Hard Taco rock opera is back! Thank you for patiently waiting for two hiatuses for "Dark Star Origin," an original fairy tale told through song. I'm excited to share the first half with you this month, with the conclusion set to release next month.

This whole Hard Taco project started because I had to write a rock opera, and that only happened because my high school principal was a douchebag. 

Let's step into the Bygone Days Machine and set the knobs to November 1992. I was a 16-year-old high school senior in Mr. Liska's AP English class, my voice was finally changing, and I had just received my early decision admission letter from Brown. My future college didn't recognize the AP English exam, rendering the second semester of Mr. Liska's class, which focused on AP exam prep, irrelevant for me. When I explained this to Mr. Liska, he greenlighted my request to transfer into a different English class, creative writing.

But evil forces were astir! A few days after winter break, the Douchebag Principal (DP) summoned me to his office. There had been a mistake, he told me. Students cannot change classes mid-year under any circumstances. Not only would have to return to AP English, but I would be forced to take (and pay for) the AP English exam that my college would not honor. My parents and I tried to fight it, but the Douchebag Principal (DP) stood his douchey-douchey ground. Did the school have quotas for student AP examinees? Or did he get personal financial incentives for lack of transparency and extraordinary douchebaggery? We'll never know.

Indignantly, I returned to Mr. Liska's AP English class, unaware of the blessing I had just been given.  Mr. Liska was an extraordinary teacher and a genuinely reasonable person. Rather than forcing me to prepare for the AP test, he encouraged me to spend the semester working on a creative project pertaining to the material we were reviewing. Half-jokingly, I offered to write a rock opera about Beowulf, a proposal he met with enthusiasm.

Reality check. I had never written a whole song before, and a few months earlier I threw myself into a creek to get out of what would have been my third guitar lesson. I knew nothing about music recording, could barely carry a tune, and had only made it through the first chapter of the Cliff's Notes for Beowulf. To summarize, I absolutely had no business taking on this project.

Enter Jon Greenlee, the guitarist and singer for the second most popular band at Nicolet High School. We had been solid second-tier friends since sixth grade.  Early in our friendship, he had fallen out of favor in the My Mom Demographic for being a risk taker. She gave him this title after he no-showed for my Bar Mitzvah luncheon after RSVPing that he would come. (Roberta London holds no other grudges but has never forgiven this transgression.) 

She was right, of course. Jon was a risk taker. Skipping a Bar Mitzvah luncheon is a huge risk if you're trying to expand your collection of sunglasses that inexplicably have... blinds?


These exist for some reason.

Jon and I ran in different circles in high school, but when I asked him to produce and record a Beowulf rock opera, he agreed. In the coming months he spent over 100 hours helping an idiot (me) who had ruined his only pair of jeans to avoid that third guitar lesson record an entire album of songs about an Old English poem that neither of us had read. He was a goddamn risk taker.

Many of my fondest high school memories came over the next three months of writing, plagiarizing, and recording these songs with the help of Jon and other would-be actors and musicians in our respective circles.  Our constant companion throughout this experiment was a Yamaha 4-Track cassette recorder, which I still think is one of the coolest pieces of tech ever invented. 

The final result was... almost entirely unlistenable! But the process sparked in me a deep love of songwriting, music recording, and the rock opera genre. After high school, I worked on rock operas based on the Icelandic Saga of Hrafnkel, the Legend of Sleepy Hollow, and a half-finished original called The Hard Tack Medicine Show. And for a decade I planned and schemed to write a rock opera about Custer's Last Stand, but only finished one song

Ironically, it was the establishment of the monthly Hard Taco Digest that ended my rock opera composing. When you commit to releasing exactly one song every month, it's really hard to find space to plan for long-term projects.

But I've really missed the pretentious grandiosity of the rock opera genre. I don't see myself to doing a full-length one any time before I retire, but it was a huge treat to work on the mediocre mini version of it this month. So enjoy, and special thanks to Douchebag Principal (DP). I hope he was able to retire early because of the AP English Quota Kickbacks. 

With warmest regards,

Zach